D.F. (DF) (Pronunciation Di-eff) acronym of Dario Ferrigno (Caltanissetta, 26 July 1996) is an experimental, noise-making and extreme EDM musician from Italy. Since 2007, he has made around 1450 compositions along his path. The acronomist D.F. it is based on a formation of thirteen branches, considered as: "Egos" (Alias). (D.F. is the zerth ego). This further underlines the negative influence that grips the artist, especially times such as the Fragmentation of the ego, Schizophrenia, Anxiety, Social phobia and Major Depression, The main genres of the egos are genres such as Gabber (And all sub-genres), Speedcore, Noise, Experimental Music of all kinds up to industrial rock/metal. The purpose of creating everything relating D.F. it is the perennial struggle against injustice. Another concepts like: misanthropy, and respect for the innocent. In addition to musical activity, DF was able to dedicate to other works such as Ghost Hunting, 2D/3D animator and writer. The artist's interest is aimed at everything that is underground and absolutely unconventional. The aim is to continually distinguish oneself from anyone and make oneself unique in every way. A typical unique characteristic of the artist is to maintain a timeless musical style. Most of the time, the music has a style dating back to the 90s and 2000s. Basically the author is a lover of low quality and old style par excellence. In the creations of D.F. for a large majority, musical hue can be heard that recall coldness and night. However, what most characterizes D.F. it is a real schizophrenic syndrome that has been developed in history over the years. In the author's character and thoughts, absolute confusion reigns. An example of D.F. - is it the person behind these works of this art is a very mean and very good person at the same time. Another example: DF is a very introverse and extrovert person, because of too many personalities and the numerous changes of moods, extreme multi-bipolarity and different emotions in a One person, so this is condition called "Ambivert". All this mess about D.F. personality leaving all listeners/fans/followers/friends/acquaintances confusion and perpetual uncertainty as to what the true personality of the artist is. There would obviously be much more to say about the artist, but due to the strong confusion about D.F., at the moment this explanation is enough.

Mottos:

Only unfair people can be feel good in an unfair world like this.

Behaving me a wicked way is the only way i know to get respected.

Look for me everywhere, because i'm broken.

Other information about D.F:

Nationality: Italian

Main Genres: Gabber, Speedcore, Experimental, Industrial, Digital Metal, Noise, Lo-Fi, Avant-garde.

Activity Period: 2007 - In progress.

Labels: Doomcore Records, Extratone Records, Akoya Books, Antropofagia Records, Experimental Music Channel, Speedcore Network, Lockdown Online Teknival, DF Archive, ENDE Records.

~ 1450 Existing tracks of D.F. (From 2007 to now (2022)).

~ 350 Uploaded to the web. (Only 24% of my creations have been published among all egos.)

~ 30 Lost Forever. (Among these 30 tracks, they were Lost forever by "Melodia Persa" (during the years 2007-2008-2009) and "Greengasm" (during the years 2019-2020).

~ 376 Tracks (basically exclusives) are included among the various Mixtapes Vitae. (From G(-1) to DFr_3).

Numerical estimates made on 09/08/2022.

Short autobiography:

Born in 1996 in a country (of which I will not mention) in Sicily (Italy), from a very young age, I was always influenced by the electronic music that my cousins listened to in the countryside, Techno music, Dance of the 90s and early 2000s. But psychedelic music that stimulates the psyche of the mind was also always present. Music has always been a valve of unconscious stimuli for me, but the first time I produced a track was in 2007 at the age of just 11. Surrealism is my main movement, followed by nihilism and extremism in some cases. Over the years the absurd part has been the drastic change of my person. Especially after moving to northern Italy in November 2006. As I was calm and harmless once - even long ago the current of thought and the music i was listening to was different: light and carefree. What made me who I am today is the failed suicide of a life filled with suffering, and even today, the struggle is still going on. All the other endless details of why this is so, I'll spare it. What most represents me today is the existence of mixtapes vitae. Another concept of thought, are the columns of the Noise Music of my property: The Seven Pillars that make up the noisy element of D.F's music: 1) Noise; 2) Hate; 3) Violence; 4) Chaos; 5) Darkness; 6) Suffering; 7) Rebellion. (Not all egos respect these pillars, only some, such as: "Darkblack XIII").

All genres involved in absolute:

Omegatone, Hypertone, Soundscape, Space Music, Overlapping-spacenoise, Ambient, Ancient Music, Chaosequence, Drone, Infinitesimal Slow Music, Ritual Music, Gregorian, Medieval Music, Opera, Classic, Blues, Jazz, Rock 'N' Roll, Pop, Rock, Glam Rock, Drycorian, Grunge, Dance, Internal Bio-Reverb, Field Recording, Chill Out, Piano, Carillon Music, Chillwave, Tarantella, Rap, Techno, Rave, Drum and Bass, House, Hip Hop, Electro, Trance, Jumpstyle, Hardstyle, Hardcore, Raggae, Dancehall, Raggeton, Darkcore, Terrorcore, Speedcore, Frenchcore, Noise, Suizidcore, Extratone, Speednoise, Splittercore, Powernoise, Death Metal, Tecktonik, Game Music, Gabber, Doomcore, EDM, Dark Techno, psychedelic, Acid, Horror Music, Industrial, Dark Ambient, Industrial Hardcore, Aggrotech, Mashcore, Drone, Flextone, Shitcore, Breakcore, Happy Hardcore, Sad Music, Flashcore, Blackened Speedcore, Harsh Noise, Noisecore, Dubstep, Cybergrind, Noise Ambient, Supertone, Metal, Coldwave, Melodic Speedcore, Depressive Doomcore, Experimental, Depressive Metal, Noise Metal, Epic Music, Shoegaze, Glitch, Crossbreed, Witch House, Bass Boosted, Darkwave, Extradrone, Ghost Drone, Thriller Music, Polcore, Lolicore, Oldschool Hardcore, Sadtone, Chillwave, Gloomfate, Trap, Black Midi, Lowercase, The Sound of God, Drone Metal, Darkno, Darkstep, Hard Techno, Cave-Voice, Anthem Music, Tribal, Musique Concrete, Soundtrack, Hypnosis music, ASMR, Depressive Music, Multi-Rendering, Experimental Piano, Uptempo Hardcore, Doom Metal, YTPM, Grindcore, Meme, Rhythmic Noise, Black Metal, Amaziostyle, Deep Web Music, Wall Noise, Ultratone, Strokeline, Synthwave, Gorenoise, Slowcore, Live Recording, Non-Music, Flashtone, Parody, Ultrasynth, Dungeon Music, Power Electronics, Pornogrind, Slowdrone, Earrape, Ustempo, Deathtone, Punk, Depressive Noise, Cataclasma, Omegal Slow Music, Smashsynth, Noisesynth, Slowdrone, Chaos Collage, Dark Reggaeton, Halfdrone, Reverb Roles, Drechno, Reverb Noise, Dronik Sequence, Danceable Extratone, Splittertone, Infratone, Unintentional Noise, Kellersymth. (...)

The genres experimented and innovated by D.F's studies:

Chaosequence.
Speednoise.
Omegatone.
Extradrone.
Strokeline.
Cataclasma.
Depressive Doomcore.
Deeptone.
Deathtone.
Hypertone.
Ultratone.
Drycorian/Drycore.
Onenote.
Infinitesimal Slow Music/ISM.
Amaziostyle.
Ultrasynth.
Infrasynth.
Darkno.
Gloomfate.
Sadtone/Sad Extratone.
Omegal Slow Music/OSM.
Smashsynth.
Noisesynth.
Slowdrone.
Chaos Collage.
Dark Reggaeton.
Halfdrone.
Reverb Roles.
Drechno.
Reverb Noise.
Dronik Sequence.
Danceable Extratone.
Splittertone.
Infratone.
Unintentional Noise. (W.I.P.)
Paranoid Sequence. (W.I.P.)
Paranoise. (W.I.P.)
Drone Midi. (W.I.P.)
Killerbass. (W.I.P.)
Cracklebeat. (W.I.P.)
Clippercaust. (W.I.P.)
Shittempo. (W.I.P.)
Darktune. (W.I.P.)
Blacktune. (W.I.P.)
Extratune. (W.I.P.)
Harsh Dance Noise. (W.I.P.)
Noizecore. (W.I.P.)

Chaosequence: This, in short, is the most extreme genre in the world. To show the degree of extremity, the harsh noise in comparison is ambient. This genre is literally an explosion of extremely distorted sounds and reproduced with an infinite series of sequences of random sounds and noises in a few moments, this means that the listener can feel confused to the point of feeling dizzy. Example here. /Volume Warning\
Speednoise: Genre officially created by ROOBIE PHAWLS, the first who used this term for the genre. Speednoise. Is none other than Speedcore/Splittercore with the addition of Harsh Noise, making the listening extremely violent and gory. The peculiarity that characterizes the genre is the disproportionate use of high frequencies and effects: "Crash" all the time once the kick hits with that high speed. Although the genre was not created by D.F. but i was the one who took the genre forward and expanded it. Example here. /Volume Warning\
Omegatone: It is the fastest genre of music in existence, no genre ever can surpass it. Faster than the Omegatone, there is always Omegatone. The genre represents the speed beyond infinity. So Omega BPM (Beyond infinite BPM). The infinite BPM is represented as pure silence, but if inside the silence, an effect is created: "Click" by raising the sound wave of silence, you will hear a sound that looks like a tapping, then a click. If this click is speeded up with the same style of the Hypertone, symbolically it is a speed beyond infinite. The style of the genre is an almost silent tone. And it has to be that way, otherwise it's not Omegatone. If you play an Omegatone track with professional speakers at maximum volume, the result is a sound of only 10 Decibels. A feature that must always be respected: The track must start and everything in the same way. Does the track last for example 3 minutes? For 3 minutes the sound must begin and end in the same way, because it represents the infinite sound that travels through the eternity of time. If all this is not respected, it can no longer be called Omegatone but simple Low-Noise. Example here.
Extradrone: I discovered that the term of this musical genre was created by another artist, but I will not name who did it, because the latter allowed himself to offend me heavily. While I didn't create the term myself, I got to take the genre forward and evolve it. This, in my opinion, can be defined as the most bizarre genre in existence. Like the Extratone (And subgenres) is based on creating tracks with very fast beats and then hearing only the only notes (Tones) - the Extradrone has the task of speeding up sequences of melodies 600 times (often even the same beats above the speeded-up melodies), the result is a very unusual sound never heard by anyone. The Extradrone, unlike the Extratone, must have around 1800 BPM, to make the melodies with its style more meaningful. While for the Extratone it has to start at 3600 BPM to compose real tones. Example here.
Strokeline:This genre is pretty hard to describe but I'll do my best to explain it. This genre usually uses Hardcore/Gabber beats, but unlike them - the kicks are of those genres from a very long kick close. When a Hardcore/Gabber beat hits, you hear the closing sound that makes: "RRR...". The twist has the task of feeling the closure of the kick (RRR...) for a very long time. Example here.
Cataclasma: Cataclasma or Cataclasm. This really can be called the most dangerous genre. In practice, it is the use of noises only and exclusively of 130 Decibels and up. The din is so intense that even at a minimal volume, it is still loud enough to annoy. The first time this genre was used, it was in the 2020 Mixtape Vitae: DFr_1 - Apocalypse 2020. Example here. /Volume Warning\
Depressive Doomcore: For those familiar with Doomcore music, it's a darker and slower Hardcore (Don't confuse with Darkcore). Depressive Doomcore tends to be even slower and with such depressing sounds that it literally makes the listener feel bad. This is one of those genres that cannot be called simple sad music. See: "Darkblack XIII - Soul Disease (EP)". Example here.
Deeptone: Deeptone or Darktone. The velocity range is equal to the Extratone and Supertone (3600 - 1.200.000 BPM) but unlike those genres, the characteristic sound of this genre are low frequency tones. Semi-dynamic and very deep sounds. The most used effect for the characterization of this genre is a heavy reverb. Example here.
Deathtone: This genre is the use of Extratone and Supertone along with metal styles, especially Black Metal, Death Metal and Grindcore. Usually, the tracks I have composed do not exceed 16000 BPM. Example here.
Hypertone: The genre was not created by me, but by Zustand D.It is the second fastest musical genre ever. Hypertone exceeds Supertone (15000 - 1.200.000 BPM) and reaches extremely high numbers. I will try to be brief but consistent in the explanation of this kind. Beyond 1.2m BPM, you shouldn't hear anything from having passed the 20khz threshold. But the purpose of the Hypertone is to literally pretend to blend the tones, and therefore, to make them audible anyway by adding more noise and effects when possible. The speed of the Hypertone ranges from 1,200,000 BPM to Infinity BPM. (Infinite BPM is just silence). Example here.
Ultratone: Usually in terms of speed, it is on par with the Hypertone or even on the speed of the Supertone (15000 - 1.200.000 BPM), what differentiates this genre, it is precisely a tone so acute that it can hardly be heard. This happens when the HZ range is too high to the point of not hearing anything like a real ultrasound. Example here.
Drycorian/Drycore: Surely the most mysterious genre experienced by D.F. The use of this genre is for purposes of mental mystery and how one can perceive inexplicable unconscious sensations. This genre can be defined as a light Doomcore (Example: Hardcore -> Techno), although obviously, the meanings are completely different. In this genre, there are many melodies present - if not the exclusive use of only melodies. It is 100% slow and intense music. Example here.
Onenote: This, too, is a difficult genre to explain. This genre is characterized by the use of many pieces of notes placed side by side and speeded up like the BPM of the Extratone (+3600 BPM), the result is a single note composed of numerous pieces of other notes. The result is a very strange and unexpected sound. Example here.
Infinitesimal Slow Music/ISM: It is the exact opposite of Hypertone. The Hypertone has the task of going towards infinite speed, the purpose of the ISM is of ongoing to an infinitely slowness velocity. It is forbidden to exceed 1 BPM, as the numbers are infinitesimal (infinitely small). For example, a value of 0.0000003 BPM. The tone result is a sound very similar to the Hypertone. It is defined as "Inverse Tone", as it is generated by a very, very slow velocity. Example here.
Amaziostyle: If you are looking for some meme stuff, this genre is for you. Amaziostyle, is a genre born as a "joke" from the fifth ego. The style of this genre is to compose serious musical errors purposely to represent the squalor of Amazio (A person I know and who is the emblem of corruption and arrogance (He feels like a great musician, but makes music with serious mistakes) A typical mistake, can be to make you hear too sudden changes in volume, completely out of time beats and sounds that completely stop by mistake, sounds meaningless and put without any logic. Tracks composed by Anti Fuckers Core , I'm joking, but the tracks of that guy named Amazio - are seriously created like that. Usually, despite the "humorous" theme it has Hardcore/Terror/Speedcore /Splittercore influences. The term amazio, is heard for the first time in the third edition of: "The Mega Chat". Example here.
Ultrasynth: This is a genre characterized solely and exclusively by sounds with such high frequencies, that they all seem ultrasonic. Genre innovated by the ninth ego, also has many correspondences with Glitch styles. Example here.
Infrasynth: It is the exact opposite of Ultrasynth, the sounds are very deep and dark. Example here.
Darkno: This genre is nothing more than the fusion of metal music with techno styles. It can be defined as a danceable metal-electronic genre. Example here.
Gloomfate: Very similar genre to Lowercase (One of the quietest genres in the world), but its strongest feature is the use of extremely depressive and painful sounds to hear. Perfect example: "Darkblack XIII - Anima Lugubre". Just a curiosity, this genre had been able to make me cry while listening. Few things like this make this happen to me. Example here.
Sadtone/Sad Extratone: The Depressive Tone Extraction, this too, goes beyond the essence of sadness (The serious Sadtone). Some might say that it is simply a melodic extratone, but it is much more than that. It is the use of extremely depressive music with 3600 BPM Extratone tones. To make people understand the amount of depression of this kind, there is a track that I composed myself - that I can't hear it, because if I listen to it I feel so bad that I don't recover more easily. Example here.
Omegal Slow Music: This is the exact opposite of Omegatone. If an ISM track, reached the threshold of 1e-Infinite BPM (0.00000000000000000... (...)), also in that case the "click" effect - is present. If that effect is slowed down in the same way as the ISM is made up, you get the slowest kind of existence. Same features as the Omegatone, but the main difference is that the Omegatone usually has high sounds and the OSM has bass sounds. Listening is always on 10 Decibels at maximum volume. Example here.
Smashsynth: The main style of this genre is the casual use of musical instruments and with sound effects of all kinds all piled on the same track, the result is a very chaotic track. Example here.
Noisesynth: It is more or less similar to Smashsynth, except that unlike random chaotic sounds (Similar but not the same as chaosequence) it has excessive use of different types of instruments and very noisy effects. (To understand, it's like listening to an EDM with Harsh Noise). Example here. /Volume Warning\
Slowdrone: It is the opposite of Extradrone, it is a genre based on the composition of very slow melodies. Not as slow as ISM, but slower than Slowcore. The BPMs range from 1 to 10 approximately. The result of the sound is often a very depressing and bizarre sound. Example here.
Chaos Collage: With the rise of Missie, some very confusing tracks have resulted. But the curious thing that characterizes this genre is a massive use of confusion WITHOUT being noisy. It is a Chaosequence filter without the use of noise, the effect of stunning is the same. In the tracks there is a change of effects that are too sudden, sudden changes of intonation, refrains that get stuck in continuous loops, interference that interrupts the tracks and then starts again somewhere else and so on. It is the same thing as listening to any track while you are rotten drunk along with very powerful hallucinogens together. in fact it could be similar to "Amaziostyle" but it is not the same thing. Why did Missie start using this genre? Because according to Missie, love is the strongest drug there is. Example here.
Dark Reggeaton: Surely this style will have been used by many other people. This style has been revived by Missie. The genre has the same use of percussion as the Reggeaton but with very serious melodies and styles, so, very undergroud. Hence, it is far from the usual mainstram Reggeaton trash of today. Example here.
Halfdrone: Another genre innovated by Missie. It's a much slower Extradrone. This is also based on the use of very old melodies, but in this case roughly around 600-900 BPM. It looks similar to the Extradrone, but using different BPMs completely changes the style. Usually, the reproduced sounds look like old Anime theme songs. Example here.
Reverb Roles: It's another genre that came out thanks to Missie, it's a pretty rare genre, because it's very hard to get. It's a heavy use of reverb (Also Echo, mostly), the result is a hypnotic sequence. The hard part is not making it a simple track with heavy reverb effect, but using the rumble in a rhythmic way, making the listening feel like a state of hypnosis until you pass out. Slogan Style: https://bit.ly/3z3GOsp. Example here.
Dronik Sequence: It is a state of false Extradrone, genre innovated through Intonadroni, the original track is slowed down to the maximum and speeded up for hundreds of times, the result is a sound similar to the Extradrone (Fast melodies) But in reality the BPM are normal ( About 120). At times, there is the influence of techno kicks grotesque version of Intonadroni. If earlier this was defined as: "Drechno", it was wrong. Example here.

Reverb Noise: Basically, it's a massive use of Reverb to the point of creating a wall of noise. So, it's like Wall Noise, except it's just made up of reverb. Genre secretly innovated by The R List and still under study. Example here.

Drechno: The drechno, is nothing less than a state of fake Extradrone, while Techno beats are heard. (It's a kind of Drone Techno, but with grotesque styles). The beats are slow, around 70/80 BPM, deep and with reverb. The Dronik consists of grotesque melodies, while the Drechno with Techno rhythms. Example here.

Danceable Extratone: It is a state of true soft Extratone (Also Supertone), melodic and so rhythmic that it can be danced. The tones go to rhythm in overlapping normal beats, usually similar to Dance Music compositions, or much more. Example here.
Splittertone: Years ago, this term was coined in a childish way by a user, establishing random numbers of BPM and without logical sense. Seeing that term, over the years, I thought I'd imagine splitting a tone of the extratone and see what comes out. The result is similar to an internal combustion engine, like the Oldstyle Half Life sfx. Splittertone is nothing more than splitting the tone and making it stylish, but you don't need to split and that's it, the difficult thing is knowing how to perform it without it being senseless. Example here.
Infratone: The exact opposite of the Ultratone. Ultratone is the use of high BPMs like hypertone with the use of ultrasound. The infratone, it is paradoxical, has tones so low as to be infrasound, but still audible, not silent, as they recall infrasound (Same thing as the ultratone with ultrasound). Making an Infratone track, is very difficult, because it could be the same as the ISM and it is absolutely not the same, as the ISM has sounds tending towards infrasonic - the infratone must have the use tending towards infrasonic but it must be different from the ISM. The difficult thing is this. Example here.
Unintentional Noise: It is an extreme Lo-Fi state, so extremely low quality until the audio is so dirty that it is noisy. It is similar to Earrape, but the extreme use of low quality makes this genre distinct. Unintentional Noise (Extreme Lo-Fi). Example here.

List of Egos:

0.D.F. (1996)

1.Melodia Persa (2007)

2.Darkblack XIII (2010)

3.Kophedra (2010)

4.Dj Barkderif (2011)

5.Anti Fuckers Core (2012)

6.Q-Hate (2017)

7.Exp_23:25 (2018)

8.GreenGasm (2019)

9.The R List (2019)

10.###0### (2020)

11.Intonadroni (2021)

12.Missie ½ (2022)

13.🙂 (2023)

D.F.: "D.F." it is the set of all the egos present. But the D.F. in itself, it is the zero ego, the primordial ego of which I was formed when I was born, (It is also spoken when there was no soul fragmentation.). So this is a special "Ego", the zerth ego. It is based on composing very dark and low-pitch-key tracks of any genre that make up all 12 egos. In every tracks of the primordial ego, there are only subliminal sentences that represent my wholeness.

Melodia Persa: It represents the composition of innocent music, since it was born when I was still a child: The Genres are of the type: Piano, Experimental Piano and several other genres with simple use of melodic synthesizers.

Darkblack XIII: Also called: "Entity 13". It is the most powerful ego of all, which consists in the composition of serious and basically dark music that represents the horror of life. Born exactly during adolescence and the darkness that will accompany me for the rest of my life. He is exactly what Dexter Morgan would call "The Dark Passenger".

Kophedra: Which consists of experimental music in arousing inexplicable sensations on a mental level. The complex concept of Drycore/Drycorian Music, music and style that deals with profound topics of the unconscious of the human mind.

Dj Barkderif: D.F.'s Lost Ego. An ego thrown into oblivion since 2011. At the time, I didn't have the conception of a shattered soul, but I already had tendencies to split my creations. At the time, this real fourth ego was called: "Dj Dario Ferry", based on composing dance music, techno and similar stuff, for the just purpose of having fun, looking for happiness and a party atmosphere. Over time, my life became more and more miserable and I never again developed this side as I did with all the others, I found no point in demonstrating these themes. The idea of having literally revived this lost ego dates back to October 2022, and based on how I developed today as a person, I therefore decided to call it: "Dj Barkderif". Wild spirit, a wolf dog that barks to be heard, feel free with happy music (not always). The ego, was officially reborn once I was uploading my oldest albums dating back to 2010/2011 on bandcamp and rediscovered the dance music of that abandoned ego and I thought, it was only right to give importance to a side of me that I decided to rule out for over a decade.

Anti Fuckers Core: "A.F.C.", Ex "Fuckerman" Focused exclusively on human madness and demented, ego against god and religion, dedicated to memes and demented madness par excellence. In 2013, this name had been used by another person (Antifucker). But in the following years, it was forgotten and I took possession of it. Renaming it to: "Anti Fuckers Core".

Q-Hate: The ego was originally born as a "dedication" to a (ex)loved one, called "Lurdiah". Something that has been lost over time, due to endless disappointments on his part. The ego, aside from that, represents the musically secret side of the metal music current of thought. The meanings are very similar to the second ego.

Exp_23:25: Exp_23:25 also written "Exp_2325", "Exp_23-25" It is a complex ego, because it represents the most intelligent and imaginative side of me. Intelligence, many times, understood as a condemnation of perceiving evil more easily (logical connection to the second ego) because of the intelligence that makes me understand too many things, even things that I absolutely do not want to understand. The ego is mainly concentrated in the composition of exaggeratedly fast music, to the point of exceeding every possible limit of the Hypertone and beyond.

GreenGasm: GreenGasm or also written: "Greengasm" is the ego that is about the pursuit of peace. ASMR (Like noise music itself) is recognized by myself as a fetish, but in the positive sense, because the purpose of ASMR is to relax and that's what I often look for.

The R List: The extended name of this ego is: The Revenge List, it is the concentrated ego without any filter to misanthropy and the insatiable sense of revenge. I can't kill anyone, so why not create the loudest possible tracks as utmost contempt?

###0###: It can be defined as the ego of self-pity and disesteem. ###0### is exactly the value of zero, as I feel: a human error and that shouldn't exist. The glitch, in computer science, is a sequence of errors and is what is very frequently found in the field of this ego.

Intonadroni: I believe that I am the only person in the world who is made like this, and that no one can the levels of strangeness that I contain to the depth of the soul. Well, this ego is focused on the utmost strangeness and my unique diversity that sets me apart from any other human being: it is made up of unusual, very disturbing and unexpected sounds. The genres are: Extradrone, a musical genre based on fast melodies over 1800 BPM and the Slowdrone, very slow melodies from 1 to about 10 bpm.

Missie ½: Also called "Missie 1/2", "Missie 12", or "DF-Chan". This is arguably the most complex ego of all. Among this several egos and its different characteristics of the breaking of the soul, one of this is a girl. (1/11 Girl, 10/11 Boy). Noticing with artificial intelligence software how I would have been as a girl, the result is of rare beauty. So, it's actually a desperate quest to love myself by imagining that I was a girl of unparalleled beauty. The name of the ego is also inspired by the anime: "Ranma ½". The music treated are low-quality lo-fi of the 80s-90s style, as if that were also the soundtracks of an untold fantasy love story. The symbol of "½" unlike Ranma ½, indicates (1+2, or 1 and 2, Me in the masculine + me in the feminine in a single love as an extreme love for myself). <<<A typical phrase of Missie: "I think that every man has a small part of a woman, and every woman has a small part of a man. Only nobody knows." This is actually a completely normal condition (Apart my schizophrenia/split soul condition), because it can be traced back to the studies of the psychologist Carl Gustav Jung: "
Anima and animus
".>>>

Graphic explanation of friendly and enemy egos:

Further graphic explanation of the egos:

- Green line: the egos get along well with each other.

- Red line: the egos do not get along with each other.

How are the uploads organized? (Tracks Traffic).

0) D.F. (Zerth Ego) --> D.F. Archive (Youtube).

1) Melodia Persa --> D.F. Kophedra (Youtube).

2) Darkblack XIII --> Darkblack XIII (Soundcloud) --> Darkblack XIII (Youtube).

3) Kophedra --> D.F. Kophedra (Youtube).

4) Dj Barkderif --> D.F. Archive (Youtube)

5) AFC --> AFC (Soundcloud) --> AFC (Youtube).

6) Q-Hate --> D.F. Archive (Youtube).

7) Exp_23:25 --> Exp_23:25 (Soundcloud) --> Exp_23:25 (Youtube).

8) The R List --> D.F. Archive (Youtube).

9) GreenGasm --> D.F. Archive (Youtube).

10) ###0### --> ###0### (Soundcloud) --> D.F. Archive (Youtube).

11) Intonadroni --> Intonadroni (Soundcloud) --> D.F. Archive (Youtube).

12) Missie ½ --> Missie ½ (Soundcloud) --> Missie ½ (Youtube)

Extra:

1) Old Darkblack XIII Tracks (From 2018 and before): --> D.F. Archive (Youtube).

2) Old Kophedra Tracks (Very Past): --> D.F. Archive (Youtube).

3) MV Archive (Soundcloud) --> MV Archive (Youtube).

4) All uploads --> After 1 Hour per stuff --> D.F. News (Telegram).

5) CdF Archive (Soundcloud) --> D.F. Archive (Youtube).

6) TMC9 Deep Web Radio (Soundcloud) --> D.F. Archive (Youtube).

7) Old Dj Barkderif Tracks (Very Past) --> D.F. Archive (Youtube).

Premium and Extra Tracks Traffic:

1) 2023 and Owards —-> BMC: Soundcloud 6% —-> BMC: Youtube 23% --> After 3 Years —-> Soundcloud ——> Youtube.

2) Before 2018 ---> Free Path ---> Soundcloud ——> Youtube. (Full Tracks).

3) 2010-2023 Bandcamp Album/Tracks ---> Soundcloud ----> Youtube. (Full Tracks).

What are Mixtapes Vitae?

Mixtapes Vitae, in short, musically summarizes everything that has happened and happens during my life. The Mixtapes Vitae are my invention in an attempt to give "Soundtracks" of the path of one's life, as if it were a curriculum. They are the so-called "Soundtracks" of life. These kinds of mixes were created exclusively by me in an attempt to musically summarize everything that happened: the emotions felt, the experiences lived (Positive or negative), the suffering, the pleasure, love, hate, and a little bit of everything. that we can try and that we often fail to express. The truth is that I consider my existence as a "work of art" and I want to document it with the Mixtapes Vitae of all life, from birth to death. (And beyond, very beyond). The titles after "DF" indicate the sagas of my life, while the titles below, the specific chapters.

And what are Surreal Mixtapes Vitae?

S.M.V. are the M.V. that go beyond my very existence. Precisely, before or after my existence. An example is the M.V. of my mother's pregnancy, which is a period even before I was born. Or absurdly like my previous life, previous infinite time or vice versa, subsequent life and subsequent infinite time. Surrealism lies in going beyond life itself, the S.M.V. they can even be produced from the present time in alternate realities, i.e. variations of the M.V. themselves.

How are Mixtapes Vitae divided?

They are divided exactly as life is divided (and beyond).

Previous state of divinity.
Pre-existence.
My mother's pregnancy.
Childhood.
Adolescence.
Adulthood.
Middle age.
Seniority.
Post-Existence.
Subsequent state of divinity.

Terms and notions of D.F. (W.I.P.):

They are terms and notions, innovated and invented by me to define certain things for which they have no explanation.

Prestalgia: Having the desire to be born long before the day of birth. Example: "I was born in 1996, but I would have loved to spend my youth in the 80s"

<<< Nostalgia: Having the desire to go back in time in a span of periods since one was born. Example: "I was born in 1996, I would love to go back to 2002 when I was 6 years old". >>>

Postalgia: Having the desire to be born in a future time or very future. "I was born in 1996, but I would have liked to have been born in the 3000s where cars fly".

Descared (Spaurato In Italian): Term used in secret in the works of Dante Alighieri (Spaurato). In my case, I use this term to define a person who is stupidly not afraid of anything. Because in these cases, not being afraid of real dangers and then causing damage because you feel "brave" is terribly stupid. The intelligent, he knows the limits and if he stops. Okay being brave, but the limits must be recognized, otherwise we fall into stupidity, like the cases of the descared.

True Extratone Concept: My strict concept that the Extratone starts at 3600 and NOT at 1000 bpm. From 1000 to 3600 it is Suizidcore while the Extratone goes from 3600 up to 15000 bpm. A quick example of why this is so. From 1000 to 3600 the sound is exactly a: "DRRR" while over 3600, it is a sound of the type: "VRRR", ergo, completely different. Another explanation, at 1000 bpm, you can still hear the bass and still perceive the empty spaces between the hits, while in the Extratone no, or at least... it is no longer perceptible and in most cases there is no bass. For more explanation, check out this video: https://www.youtube.com/watch?v=JcAbURBrKZQ

1000 BPM.

3600 BPM.

Reintonation: It is the use of intonations that change delicately during the performance of a melody above all. With this technique, you can loop the same repetitive melody of several minutes, but if the technique is performed, the repetitiveness is broken and the melody that loops changes completely. This technique is very present in Kophedra. While in the compositions of: "Choas Collage" it is heavily used by Missie ½ , as if it were a videotape so corrupted that it suddenly changes the pitch in an absurd way.

The blue graph is the melody in progress. While the red line indicates how the pitch of the melody changes as the audio playback progresses.

Hardcare: This term is used to define sex as an extreme gesture of affection. (When the relationship is true love).

R.I.O.T.: R.I.O.T. is a slogan created by me in 2019 and to this day it has become a real conspiracy theme. Riot means literally: "Revolt". And the italian acronym in this case indicates: "Rimedio Immenso Oltre Tutto" (Immense Remedy Beyond Everything). The Riot is nothing more than the greatest revolt of life to find a definitive stability and that can allow to continue living life to the end with decent tranquility. I don't mean happiness, but at least tranquility.

Narcissism Anti-self hate: It is a genuine type of narcism and not a personality defect. Narcissism, understood as a personality defect, is when a person prides himself on being superior or having more importance than the rest of the people. In this, it is a positive narcissism, in thinking only of oneself in order to ignore the disestimation and find more and more one's abilities. It is a thinking of oneself, as self-evaluation and an attempt to improve and study the same body and mind.

The Blood Pact: It is a pact made with myself - not to commit suicide on the condition that I produce creations of any kind, especially noisy and disturbing ones in order to upset others or vent myself in general for the rest of my life.

Ryina: Ryina is the absolute achievement of consciousness of all that is hidden in the unconscious. Therefore, it is an achievement of a mysterious stage of our mind. It is the result of a self psychoanalysis and a very meditation resulting from overthinking. The two egos most focused on self psychoanalysis are Kophedra and Missie ½.

Other curiosities to know about D.F.

1) The music that I create, remix and still make today - it all started in the summer of 2007.

2) In 2009, I started creating a Super Mario "sprites" style animated series, being that i was a 12 years old kid. Growing up and continuing the animated saga, you can still see very hostile, gory and mature facets despite the theme. The tormented life of D.F. is projected a lot. In an animation that was initially for kids. Even today, it is not finished.

3) In 2013 my long journey in research and consenting consideration of the paranormal began. "CdF" was born in the summer of 2013 and increasingly terrifying investigations were conducted in truly disturbing and literally haunted places: Abandoned houses, ancient monuments, marked houses, isolated places, cemeteries, churches, etc, during the night. This continued until 2015 with a progression of ever greater concern. It was resumed in 2017 for a short time and for years the project remained in oblivion. In 2020, due to the pandemic, there was the possibility of reopening the project and until 2021 new investigations and other important ones were conducted. Now, to move forward, we need new funds and new staff. Also in 2021, a small archive on soundcloud was created where mini-documentaries are published where "EVP", Electronic Voice Phenomena, are very often heard. The voices of ghosts.

4) In the summer of 2015, my idea was born to create soundtracks that fully represent my life. The idea stayed in mind for some time for the preparations and in the winter of 2016 I started making the first Mixtapes Vitae of the adolescence period. But around 2017, I realized that if I have to musically document all of adolescence, I have to do it with all other stages of life as well. From 2017 I started doing a long search of all the music I listened to as a child and that somehow remind me of childhood. Even today the search is not finished so many are the songs that I heard and that remind me of my childhood. This thought also turned to continuing to document everything with music even after adolescence and the rest of my life, this, in 2018. In 2019, however, with different existential theories, I decided to represent my life even beyond the existence. Today, the existence of Mixtapes Vitae remains one of my most important and literally vital works.

5) During April 2017, I participated in the creation of a short film inspired by CdF. It was certainly one of the most extreme experiences.

6) In 2021, I had the idea of resuming some old chats (which actually reach today) and transcribe them in English on a blog. The idea was born to create a format called: "Reality Book". Because in these chats, everything is written based on how life is lived and in real time, like a reality show. The story begins in 2012 and it is needless to say that in this (very long) journey to date we have witnessed all the changes in my person up to real radical changes. The contents that are very often found are heavily explicit, extremely vulgar, and a clear representation of youthful unrest. Despite these traits, a real story of REAL LIFE is told here. So, this is the reason for this underlying heaviness. The name of this idea is; "The Mega Chat Series".

7) In the summer of 2022, the eleventh ego was born, probably the last ego. "Missie ½". Focused on returning to origins with influences of what characterizes me today. It is different from Melodia Persa, but similar. The thing that makes this Ego the most unique among the eleven egos - is that this is a soundtrack collection of a mental fictional (But always reality-inspired) story: "Missie in Neverland" (Always inspired by the cult Ranma ½). Neverland would be the place that is not there, but which is there at the same time. Neverland, would be a utopian place to reach, a place of only peace and love where Missie lives. (GreenGasm very much approves it) but that I absolutely don't know how to get there, that's why it's called that. The "series" is divided into musical seasons as if it were a TV series. Something absolutely never seen and that I had to bring out so much I have the ability how to love, deeply inside me. The tracks are very "basic" made with a "basic" software but with the aim of hitting the listening inside in the soul, with extremely sentimental sounds. I give a lot of importance to this ego, because it was the only one to change my life for the better and make me feel better in practice- even if at the same time it creates much more confusion, just like any girl would cause a guy in love. This is, one way or another: TRUE LOVE in music format.

8) Nicknames: Chaosman (2019), El Psycho (2019-2022+), Scary Bastardo (2020), Dark Black Prince (2016-2017), DF-Chan (2022), Little Jack (2017), Insidious (2015-2016), Lord 13 (2018), Da (2001-2015), The Deependent (2021-2022+), The Unpredictable (2015), D (2022+), The Thinking Being (2012), The pacifist (2009), Reminder (2022/2023), Dadi (2023), ProprieDary (2022), PDF (2020-2022), Little DF (2022/2023), DeFi (2023), Little Darius (2000s-2023), DF#ck (2023), Super Dario (2009-2010s+), Big Boy (2023), Nightmarer (2018).

D.F. - Mixtapes Vitae (And Other).

Translator.

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Friday, January 7, 2022

Who is D.F.?